---
product_id: 1600309
title: "GLS Audio Instrument Microphone ES-57 & Mic Clip - Professional Series ES57 Dynamic Cardioid Unidirectional - For Instruments, Drums, Percussion, Vocals, and more - Professional Microphone for Singing"
brand: "gls audio"
price: "₨1183"
currency: SCR
in_stock: true
reviews_count: 3
category: "Gls Audio"
url: https://www.desertcart.sc/products/1600309-gls-audio-instrument-microphone-es-57-and-mic-clip-professional
store_origin: SC
region: Seychelles
---

# Dynamic cardioid for focused sound Lo-Z XLR & Hi-Z 1/4" compatible 50 Hz–15 kHz frequency range GLS Audio Instrument Microphone ES-57 & Mic Clip - Professional Series ES57 Dynamic Cardioid Unidirectional - For Instruments, Drums, Percussion, Vocals, and more - Professional Microphone for Singing

**Brand:** gls audio
**Price:** ₨1183
**Availability:** ✅ In Stock

## Summary

> 🎶 Elevate your sound game — because your voice deserves the spotlight.

## Quick Answers

- **What is this?** GLS Audio Instrument Microphone ES-57 & Mic Clip - Professional Series ES57 Dynamic Cardioid Unidirectional - For Instruments, Drums, Percussion, Vocals, and more - Professional Microphone for Singing by gls audio
- **How much does it cost?** ₨1183 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.sc](https://www.desertcart.sc/products/1600309-gls-audio-instrument-microphone-es-57-and-mic-clip-professional)

## Best For

- gls audio enthusiasts

## Why This Product

- Trusted gls audio brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Robust Metal Build:** Crafted with durable metal housing to withstand intense studio sessions and live gigs.
- • **Trusted by Creators:** Join thousands of podcasters, musicians, and live performers who swear by the ES-57’s reliability.
- • **Versatile Connectivity:** Seamlessly plugs into both Lo-Z XLR and Hi-Z 1/4" inputs for ultimate setup flexibility.
- • **Precision Audio Capture:** Unidirectional dynamic design isolates your sound with studio-grade clarity.
- • **Pro-Grade Frequency Response:** Crisp, clear sound from 50 Hz to 15,000 Hz captures every vocal and instrument nuance.

## Overview

The GLS Audio ES-57 is a professional dynamic cardioid microphone engineered for superior sound capture across instruments, vocals, and percussion. Featuring a frequency response of 50 Hz to 15 kHz and compatibility with both Lo-Z XLR and Hi-Z 1/4" inputs, it delivers studio-quality audio with rugged metal construction built to last. Ideal for musicians, podcasters, and live performers seeking affordable, reliable, and clear sound reproduction.

## Description

Introducing the GLS Audio Instrument Microphone ES-57, a professional-grade dynamic cardioid microphone designed for capturing superior sound quality across a variety of applications. This studio microphone is expertly crafted for use with instruments, vocals, and percussion, making it an essential addition to any recording setup. Its unidirectional design ensures precise sound capture, making it an ideal recording microphone for singing and instrumentals. The GLS Audio ES-57 offers significant benefits for audio professionals and enthusiasts. With a frequency response range of 50 Hz to 15,000 Hz, this xlr microphone delivers high-fidelity audio, ensuring that every nuance of sound is captured with clarity. Whether used as drum mics within a drum mic kit or as a vocal microphone, this product promises consistent, professional-grade results. For those seeking a solution to common audio recording challenges, this xlr mic provides exceptional performance and versatility. Its ability to interface with both Lo-Z XLR 3 Pin Balanced and Hi-Z 1/4" inputs makes it compatible with a wide range of audio equipment. The ES-57 distinguishes itself with unique features designed to replicate the industry standard in studio mic technology. However, it is essential to note that this product does not include additional accessories or equipment beyond the microphone and mic clip. This ensures the product focuses solely on delivering unmatched audio quality and reliability.

Review: Great for voice overs and podcasts - I bought this to replace my Blue Snowball because I've reached that point where I require something that sounds a little bit more professional than what I was using. Before I begin my review, I'd like to mention that I use this with a Behringer 302USB Premium 5-Input Mixer with XENYX Preamp (copy and paste that into desertcart's search to find it). So my review is based on this thing being plugged into that thing. Okay, my pros and cons. Pros 1. My voice sounds great with this thing. Before I was using a Snowball and my podcast partner told me it sounded like I was in a "chamber". With this, my voice is strong and clear...and even a little bassy which is nice because I don't have a naturally bassy voice. I'm extremely satisfied with how well this thing makes me sound. It is WORLDS better than USB mics like the Blue Snowball. Worlds better. 2. It's heft, heavy, and feels well made. This might be the most expensive-feeling device I own. It's heavy but it in a good way. The materials feel high quality. This feels like a professional microphone. 3. It comes with a mic stand holder thing. Never say no to free stuff. Cons 1. The only thing I can think of is that it doesn't come with its own cable. You'll need to buy an XLR cable on your own. It's not bad enough to deduct a star. There are people who are comparing this to the Shure SM57 and other microphones. Here's the thing, I am an amateur. Before I owned this mic, I was using a Blue Snowball and before that, my laptop webcam mic. So I am not the authority. All I can tell you is that this thing sounds freaking amazing. My podcast co-host immediately noticed the difference and couldn't tell me enough of how much better I sounded and that's over a Skype call (we podcast using Skype). So if you're looking for a vocal/podcast mic, this is a great, cheap option. Are there better options? Sure, but not for this price. Not even close. Recommended wholeheartedly. **Update 10-11-2015** Just wanted to drop back in and say that this mic still works great. It's still my go-to mic for everything (podcast and YouTube videos) and still sounds as crisp and clean as the day I bought it. Unless there's another level that blows this one away (or unless I become rich), I'm sticking with this one. For how inexpensive it is, it really does work extremely well. Yes, still plugged into the Xenxy302USB :) *Update* I have been using this thing for...9 years now?! Good lord. I'm a fair bit more experienced than I was back then, but I wouldn't trade my Xenyx 302USB and my GLS ES 57 for anything. It's more than anyone would need for an amateur podcast or YouTube voiceover setup and you can get the whole thing (mic, cable, audio mixer) for less than the trendy USB mics. I still consider this the best professional purchase I ever made, and I literally recorded a YouTube video voiceover with this thing 2 weeks ago. I'm going to keep it until it breaks, and then probably buy another one. At this rate, the mic might live longer than me hahaha.
Review: GLS ES-57 - Very good mic, and incredible for the price. I own 3 of the ES 58s and 2 ES 57s, as well as several real Sure SM 57s and SM 58s. Consistency among the 5 GLS mics I own is excellent. The GLS mics (57 and 58) have a little more handling noise than the Sures The GLS mic clips are cheesy, having plastic threads, but they'll work until a ham fisted helper in a hurry cross threads them. You don't get a zip pouch with the GLS, which is irrelevant to me. The GLS 57s and Sure 57s are nearly a tossup soundwise. The GLS ES 58 and Sure SM 58 are a little different, and I prefer the GLS product. read on for more details. GLS ES57: I have used these for live sound in a large, 10 piece dance band, Micing horns, congas, accordion, and overheads on the drum kit and vocal mic.. I find the GLS ES 57 and Sure SM 57 to be real close sound wise. Goofing off in the studio, I have used this to mic a bass cab and for voice. Not bad on bass cab, though no real low end (<50 hz), which often works well live, but I usually run DI on bass live (not mic'd). Just like the Sure, it needs some mid boost to get the vocals to cut. This mic feels solid, and I see no reason to spend 3X as much for the Sure sm57. GLS ES 58: I like this BETTER than the real Sure SM 58. It is livelier in the top end (although a little brittle) and is good for clearing up the "mud" in your typical SM 58. The GLS has more handling noise, and the ball screen is more plastic-y, not as solid. GLS longevity is an unknown. I read there is a neodymium magnet in there, which may contribute to its different sound, but I'm no engineer.... I end up adding a little bass EQ to the GLS ES58 for most situations. I have used it on voice, trumpet, saxes, accordion. It handles sibilance and plosives on par with the Sure SM 58. These obviously aren't meant to be studio mics, c'mon, they're $30! But for live setting, outfitting a large band on a budget, you can't go wrong with either of these.

## Features

- Professional Sound Quality: Experience superior sound quality with this uni-directional dynamic instrument microphone, ideal for capturing detailed audio across various settings
- Versatile Compatibility: Compatible with Lo-Z XLR 3 Pin Balanced and Hi-Z 1/4" connectors, making it suitable for diverse applications and setups
- Accurate Frequency Response: Boasts a frequency response of 50 Hz to 15,000 Hz and an impedance of 300 ohms at 1,000 Hz, ensuring high-fidelity audio performance for professional use
- Durable Construction: This dynamic microphone for singing is designed with sturdy metal construction, providing reliable durability and longevity for both studio and live environments
- Ideal For Musicians: Perfect for use with instruments, drums, percussion, and vocals, making it an essential tool for recording microphones, studio microphones, and other professional audio applications

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B001W99HE8 |
| Audio Sensitivity | 72 Decibels |
| Best Sellers Rank | #9,322 in Musical Instruments ( See Top 100 in Musical Instruments ) #11 in Instrument Dynamic Microphones |
| Color Name | Black |
| Color Screen | No |
| Customer Reviews | 4.6 4.6 out of 5 stars (967) |
| Date First Available | March 17, 2009 |
| Frequency Response | 15000 Hz |
| Is Discontinued By Manufacturer | No |
| Item Weight | 9.6 ounces |
| Item dimensions L x W x H | 2.91 x 2.6 x 9.61 inches |
| Item model number | ES-57 |
| Manufacturer | GLS Audio |
| Material | Metal |
| Material Type | Metal |
| Microphone Form Factor | Microphone Only |
| Number of Channels | 1 |
| Power Source | Corded Electric |
| Product Dimensions | 2.91 x 2.6 x 9.61 inches |
| Signal-to-Noise Ratio | 72.0 |
| Size | 6 3/8" long x 1 3/8" Head x 7/8" End |
| UPC | 814422012301 |

## Product Details

- **Brand:** GLS Audio
- **Color:** Black
- **Compatible Devices:** Laptop, Personal Computer, Speaker, Amplifier, Karaoke Machine, Radio
- **Connectivity Technology:** XLR
- **Connector Type:** XLR
- **Included Components:** microphone
- **Model Name:** ES-57
- **Polar Pattern:** Unidirectional
- **Recommended Uses For Product:** Karaoke, Singing
- **Special Feature:** Stand

## Images

![GLS Audio Instrument Microphone ES-57 & Mic Clip - Professional Series ES57 Dynamic Cardioid Unidirectional - For Instruments, Drums, Percussion, Vocals, and more - Professional Microphone for Singing - Image 1](https://m.media-amazon.com/images/I/81nRjxRqo3L.jpg)

## Questions & Answers

**Q: Will this work with recording a piano?**
A: Anything you point it - it records... Just as long as you have recording equipment.

**Q: does this Mic require phantom power or battery**
A: Hi David,No, the GLS Audio ES-57 (and ES-58 & ES-58-S) mics do not require phantom power or a battery. They are "dynamic" mics. Generally a "condenser" mic would require phantom power or a battery. If your system provides phantom power it will not damage the GLS Audio microphones. They will still function 100% perfect with or without phantom power. This may not be true for all mics, so be careful with other brands when supplying phantom power. Check with the manufacturer before you supply phantom power to other brands of microphones.Best Regards,Bryan SundaGLS Audio800-897-8373

**Q: Is the es57 balanced or unbalanced?  does it have a transformer like the one folks say is inside the sm57?**
A: It is balanced. As far as a type of transformer?  You need to email them through their site www.glsaudio.com. I have 2 and prefer them over the 57.

**Q: Does the microphone accept the female or male end of the cable?  I have a mixer with female jacks, so I want to be sure I'm getting the correct cord.**
A: This is a standard mic.  When buying a cable , buy "xlr mic cable" they're standard unless you need 1/4 inch male to the mixer

## Customer Reviews

### ⭐⭐⭐⭐⭐ Great for voice overs and podcasts
*by J***Y on February 18, 2014*

I bought this to replace my Blue Snowball because I've reached that point where I require something that sounds a little bit more professional than what I was using. Before I begin my review, I'd like to mention that I use this with a Behringer 302USB Premium 5-Input Mixer with XENYX Preamp (copy and paste that into Amazon's search to find it). So my review is based on this thing being plugged into that thing. Okay, my pros and cons. Pros 1. My voice sounds great with this thing. Before I was using a Snowball and my podcast partner told me it sounded like I was in a "chamber". With this, my voice is strong and clear...and even a little bassy which is nice because I don't have a naturally bassy voice. I'm extremely satisfied with how well this thing makes me sound. It is WORLDS better than USB mics like the Blue Snowball. Worlds better. 2. It's heft, heavy, and feels well made. This might be the most expensive-feeling device I own. It's heavy but it in a good way. The materials feel high quality. This feels like a professional microphone. 3. It comes with a mic stand holder thing. Never say no to free stuff. Cons 1. The only thing I can think of is that it doesn't come with its own cable. You'll need to buy an XLR cable on your own. It's not bad enough to deduct a star. There are people who are comparing this to the Shure SM57 and other microphones. Here's the thing, I am an amateur. Before I owned this mic, I was using a Blue Snowball and before that, my laptop webcam mic. So I am not the authority. All I can tell you is that this thing sounds freaking amazing. My podcast co-host immediately noticed the difference and couldn't tell me enough of how much better I sounded and that's over a Skype call (we podcast using Skype). So if you're looking for a vocal/podcast mic, this is a great, cheap option. Are there better options? Sure, but not for this price. Not even close. Recommended wholeheartedly. **Update 10-11-2015** Just wanted to drop back in and say that this mic still works great. It's still my go-to mic for everything (podcast and YouTube videos) and still sounds as crisp and clean as the day I bought it. Unless there's another level that blows this one away (or unless I become rich), I'm sticking with this one. For how inexpensive it is, it really does work extremely well. Yes, still plugged into the Xenxy302USB :) *Update* I have been using this thing for...9 years now?! Good lord. I'm a fair bit more experienced than I was back then, but I wouldn't trade my Xenyx 302USB and my GLS ES 57 for anything. It's more than anyone would need for an amateur podcast or YouTube voiceover setup and you can get the whole thing (mic, cable, audio mixer) for less than the trendy USB mics. I still consider this the best professional purchase I ever made, and I literally recorded a YouTube video voiceover with this thing 2 weeks ago. I'm going to keep it until it breaks, and then probably buy another one. At this rate, the mic might live longer than me hahaha.

### ⭐⭐⭐⭐⭐ GLS ES-57
*by T***Y on February 22, 2012*

Very good mic, and incredible for the price. I own 3 of the ES 58s and 2 ES 57s, as well as several real Sure SM 57s and SM 58s. Consistency among the 5 GLS mics I own is excellent. The GLS mics (57 and 58) have a little more handling noise than the Sures The GLS mic clips are cheesy, having plastic threads, but they'll work until a ham fisted helper in a hurry cross threads them. You don't get a zip pouch with the GLS, which is irrelevant to me. The GLS 57s and Sure 57s are nearly a tossup soundwise. The GLS ES 58 and Sure SM 58 are a little different, and I prefer the GLS product. read on for more details. GLS ES57: I have used these for live sound in a large, 10 piece dance band, Micing horns, congas, accordion, and overheads on the drum kit and vocal mic.. I find the GLS ES 57 and Sure SM 57 to be real close sound wise. Goofing off in the studio, I have used this to mic a bass cab and for voice. Not bad on bass cab, though no real low end (<50 hz), which often works well live, but I usually run DI on bass live (not mic'd). Just like the Sure, it needs some mid boost to get the vocals to cut. This mic feels solid, and I see no reason to spend 3X as much for the Sure sm57. GLS ES 58: I like this BETTER than the real Sure SM 58. It is livelier in the top end (although a little brittle) and is good for clearing up the "mud" in your typical SM 58. The GLS has more handling noise, and the ball screen is more plastic-y, not as solid. GLS longevity is an unknown. I read there is a neodymium magnet in there, which may contribute to its different sound, but I'm no engineer.... I end up adding a little bass EQ to the GLS ES58 for most situations. I have used it on voice, trumpet, saxes, accordion. It handles sibilance and plosives on par with the Sure SM 58. These obviously aren't meant to be studio mics, c'mon, they're $30! But for live setting, outfitting a large band on a budget, you can't go wrong with either of these.

### ⭐⭐⭐⭐ Very good instrument mic and Happy with results
*by G***. on July 10, 2013*

I have a diatonic accordion and used this mic to record. What I liked about the mic is that it has a true flat response and not a colorful or super amplified response. This is exactly what I was looking for. I have some Audio technica mics and this GLS mic is very comparable if not better. Very happy with results and cheaper than other mics in the same category. I gave it 4 stars instead of 5 because you will need to get close to the mic to get a good high response. Not a big problem but I did hit the mic a few times while playing. PROS: Solid built and has a true flat response. Audio quality is great! No noise which is a big plus. I used GLS cables and a Focusrite interface..Very affordable and rate it as the BEST VALUE in an instrument Mic. CONS: Need to get close to the mic and stay in the same range to get a quality recording. But, this definitely is not a big issue. Can be managed (edited) very easy with your DAW sofware.

## Frequently Bought Together

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*Product available on Desertcart Seychelles*
*Store origin: SC*
*Last updated: 2026-03-09*