---
product_id: 253894315
title: "35mm F1.8 1.33X APS-C Anamorphic Lens Cinema Lens with Adapter for E Mount, Blue Flare"
brand: "sirui"
price: "₨11312"
currency: SCR
in_stock: true
reviews_count: 13
category: "Sirui"
url: https://www.desertcart.sc/products/253894315-35mm-f1-8-1-33x-aps-c-anamorphic-lens-cinema
store_origin: SC
region: Seychelles
---

# 1.33x anamorphic squeeze for cinematic 2.4:1 F1.8-F16 aperture with adaptive blue flares Aircraft-grade aluminum build 35mm F1.8 1.33X APS-C Anamorphic Lens Cinema Lens with Adapter for E Mount, Blue Flare

**Brand:** sirui
**Price:** ₨11312
**Availability:** ✅ In Stock

## Summary

> 🎬 Unlock cinematic brilliance with every frame!

## Quick Answers

- **What is this?** 35mm F1.8 1.33X APS-C Anamorphic Lens Cinema Lens with Adapter for E Mount, Blue Flare by sirui
- **How much does it cost?** ₨11312 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.sc](https://www.desertcart.sc/products/253894315-35mm-f1-8-1-33x-aps-c-anamorphic-lens-cinema)

## Best For

- sirui enthusiasts

## Why This Product

- Trusted sirui brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Adaptive Aperture Magic:** Smooth, clickless aperture from F1.8 to F16 creates dynamic light streaks and starbursts that evolve with your scene’s mood.
- • **Precision Craftsmanship:** Built from aircraft aluminum and German Schott glass, this lens offers durability and razor-sharp image quality for professional-grade shoots.
- • **Seamless Focus & Control:** Dual 0.8 module gear rings provide fluid manual focus and aperture adjustments, perfect for cinematic precision.
- • **Optimized for 8K & Beyond:** Maximize your sensor’s potential with zero pixel loss on open gate cameras like the Z Cam S6, capturing ultra-high resolution footage effortlessly.
- • **Cinematic Widescreen Mastery:** Expand your horizontal field of view by 33% with the 1.33x anamorphic squeeze, delivering stunning 2.4:1 aspect ratio footage without cropping.

## Overview

The SIRUI 35mm F1.8 1.33X APS-C Anamorphic Lens is a robust, precision-engineered cinema lens featuring aircraft aluminum housing and German Schott glass. It widens your horizontal field of view by 33%, producing true 2.4:1 widescreen footage without cropping. With a smooth, clickless aperture range from F1.8 to F16, it delivers adaptive blue flare effects and sharp, high-resolution images optimized for 8K-capable cameras. Compact yet durable, it includes dual gear rings for professional manual control, making it a must-have for filmmakers seeking cinematic quality and versatility.

## Description

desertcart.com : SIRUI 35mm F1.8 1.33X APS-C Anamorphic Lens Cinema Lens with Adapter for E Mount, Blue Flare : Electronics

Review: Very nice lens, can film 8K on Z Cam S6 - OK had to try this one. There's a lot of info online, and I don't have much to add except that it's decently sharp, that was a question mark looking at samples. Unpacked the Sirui 35/1.8 this morning. After a half day of testing, it looks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects. I filmed the tests on the S6 in "open gate" to make full use of the 6K+ S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app. I dropped the footy into PP into a standard 8K sequence. Yes, 8k from 6K open gate. Setting the image size to 93 percent, the image just touches the edges while leaving two narrow letterbox strips. Fine--you can add thicker black bars or zoom up to 102 percent to get 8K with no bars. It's all good. You can downsample, crop, whatever you want. Lots of choices. My copy was shipped direct from the factory and I waited more than a month for it. Glass was perfect, exterior had a tiny scuff mark, no biggie. You can manual focus very well at F1.8 and then I like to stop it down to F4, but it is certainly usuable wide open. Clickless aperture and focus is very smooth and there are two rings included for gearing. No hood, which is cheesy for an $800 lens IMHO. :( @theusualeditor re: thin air pixels--this lens allows me to film open gate on my Z Cam S6, so I'm not losing or cropping any pixels except some in the horizontal which unsqueezes a tiny bit wide. And, here, I'm not losing but cropping oversize. Ordinarily, a lot of these pixels would be unused, just like on most 4:3 or whatever cameras. So this lens get every drop of pixel juice out of the slightly oversized sensor. So because of the open gate, it's like the extra resolution you get when you used film back in the olden days. And, in H265 I'm getting manageable file sizes. But, beyond that, it looks cracking when you drop it into an 8K timeline. (Yes, there are blue flares easy peasy.) P.S. It isn't light.
Review: You won't be disappointed - I absolutely love this lens. It feels solid and has a bit of weight to it but not too much weight. The image I get from it is crisp, the bokeh is nice. Some reviews say the bokeh is a little less round than they'd like on the 35mm but in my opinion it looks great.

## Features

- Solidly constructed with aircraft aluminum housing and precision copper focus components , the lens is compact and robust yet light enough to smoothly capture high quality images.
- This brand new anamorphic pro lens achieves the field of view of a 26.3mm camera lens by widening the horizontal FOV up to 33%. Meanwhile, The 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping.
- As users adjust the aperture, the unique light streaks and star burst will adapt to the aperture value for the optimum cinematic visual effect. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures.
- Well-built with an innovative optical lens structure and German-manufactured Schott optical glass lens elements, the 35mm Anamorphic Lens is constructed with aircraft aluminum alloy and a precision CNC machining process.
- This portable lens also excels at controlling chromatic dispersion to produce unique visual characteristics and provide sharp, high resolution images.In addtion, the compact lens further optimizes focusing and aperture control systems using the two additional Gear Rings (0.8 Module).

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B08MWY4QK5 |
| Best Sellers Rank | #390 in SLR Camera Lenses |
| Customer Reviews | 4.1 4.1 out of 5 stars (86) |
| Date First Available | November 8, 2020 |
| Item Weight | 6.4 ounces |
| Manufacturer | SIRUI |
| Package Dimensions | 1.08 x 0.75 x 0.56 inches |

## Product Details

- **Brand:** Sirui
- **Camera Lens Description:** 35 month
- **Compatible Mountings:** Sony E
- **Focal Length Description:** 35 mm
- **Lens Type:** Wide Angle

## Images

![35mm F1.8 1.33X APS-C Anamorphic Lens Cinema Lens with Adapter for E Mount, Blue Flare - Image 1](https://m.media-amazon.com/images/I/61qsCALkEZL.jpg)

## Available Options

This product comes in different **Size** options.

## Questions & Answers

**Q: How to choose the correct model for my cameras？**
A: E mount is for Sony A series, FX series, ZV-E series. SIRUI USA is always at your service for pre-order consultation.

**Q: Why images is sharp in the center but soft on the edge?**
A: Anamorphic lenses are responsible for the “cinematic” look, featuring the characteristic of crisp and clear center images with soft and blurred outer edges, which can lend a painterly, artistic quality to your footage.

**Q: Why can't I take pictures with this anamorphic lens？ Any particular setting to do in the camera menu?**
A: Please enable "Release Shutter without lens" in your camera setting. Because the manual focus lens does not communicate with the camera.

**Q: Why images have distortion using anamorphic lenses?**
A: All anamorphic lenses exhibit distortion, either pincushion or barrel distortion, which is a common characteristic among this certain optics. For those well-versed in post-production, addressing this slight distortion is a straightforward task.

**Q: Why the lens flares are excessive or insufficient?**
A: The intensity of lens flares is deeply affected by the filming operation and light source. It can be controlled by filmmakers to an expected outcome.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Very nice lens, can film 8K on Z Cam S6
*by D***E on August 29, 2021*

OK had to try this one. There's a lot of info online, and I don't have much to add except that it's decently sharp, that was a question mark looking at samples. Unpacked the Sirui 35/1.8 this morning. After a half day of testing, it looks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects. I filmed the tests on the S6 in "open gate" to make full use of the 6K+ S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app. I dropped the footy into PP into a standard 8K sequence. Yes, 8k from 6K open gate. Setting the image size to 93 percent, the image just touches the edges while leaving two narrow letterbox strips. Fine--you can add thicker black bars or zoom up to 102 percent to get 8K with no bars. It's all good. You can downsample, crop, whatever you want. Lots of choices. My copy was shipped direct from the factory and I waited more than a month for it. Glass was perfect, exterior had a tiny scuff mark, no biggie. You can manual focus very well at F1.8 and then I like to stop it down to F4, but it is certainly usuable wide open. Clickless aperture and focus is very smooth and there are two rings included for gearing. No hood, which is cheesy for an $800 lens IMHO. :( @theusualeditor re: thin air pixels--this lens allows me to film open gate on my Z Cam S6, so I'm not losing or cropping any pixels except some in the horizontal which unsqueezes a tiny bit wide. And, here, I'm not losing but cropping oversize. Ordinarily, a lot of these pixels would be unused, just like on most 4:3 or whatever cameras. So this lens get every drop of pixel juice out of the slightly oversized sensor. So because of the open gate, it's like the extra resolution you get when you used film back in the olden days. And, in H265 I'm getting manageable file sizes. But, beyond that, it looks cracking when you drop it into an 8K timeline. (Yes, there are blue flares easy peasy.) P.S. It isn't light.

### ⭐⭐⭐⭐⭐ You won't be disappointed
*by C***N on September 3, 2025*

I absolutely love this lens. It feels solid and has a bit of weight to it but not too much weight. The image I get from it is crisp, the bokeh is nice. Some reviews say the bokeh is a little less round than they'd like on the 35mm but in my opinion it looks great.

### ⭐⭐⭐⭐⭐ Perfect lens to add to your film gear!
*by A***R on January 1, 2024*

I LOVE this lens. The 35mm is the perfect length. It truly has a Cinema look to it. Nothing cheap about this lens at all. Well worth the price, which is not bad at all for the value it brings to your work. I will say that this lens is a bit on the heavy side but with the right camera setup you'll be fine.

## Frequently Bought Together

- SIRUI 35mm F1.8 1.33X APS-C Anamorphic Lens Cinema Lens with Adapter for E Mount, Blue Flare
- SIRUI 24mm Anamorphic Lens F2.8 1.33X APS-C Camera Lens for E Mount, Blue Flare
- SONY Cinema Line FX30 Super 35 Camera

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*Product available on Desertcart Seychelles*
*Store origin: SC*
*Last updated: 2026-03-08*