Novation MiniNova Analog Modeling Synthesizer

I bought one of these back around 2014 or so and enjoyed it, it was one of my very many G.A.S. (Gear Acquisition Syndrome) purchases. Fast forward to 2017, I bought a motorcycle and sold off a bunch of my gear to help pay for the bike, the Mini Nova was a piece of gear I tearfully let go of. At the time I mostly just dabbled at synths so I was barely using the Mini Nova. Fast forward to now. After a lot of frustration at trying to sequence music with a DAW, I discovered the fun of sequencing synths in a "DAW-less" setup. I've dug out the few synths I kept, and bought two synthesizers from Modal Electronics. To avoid going on a further tangent, I sent both synths back, and realized I had enough refunded money to get another Mini Nova. I'm not selling this one. When I had my first Mini Nova, I was in awe at it's capabilities, and now that I've spent a lot more time tweaking different types of hardware and software synths, the Mini Nova continues to impress. I won't go into what the synth can do. Head to YouTube and watch some videos if you want a demo of what this little powerhouse can do. My main two reasons for scoring this synth so high are: 1. I find it's controls and workflow intuitive and 2. It sounds great. A lesser reason is this synth is fully polyphonic, and it's price tag puts it in competition with just a few other poly synths and a myriad of monophonic synths. To touch briefly on the Modal Electronics synths... One was a Skulpt. A great sounding synth that is cheaper and seemingly as featured packed as the Mini Nova, with a seemingly intuitive control layout, it frustrated me to no end. All it did was flash it's LEDs at me. I could almost never get the Skulpt's control app for tablet/smartphone to connect to the Skulpt. So all I had for feedback other than listening was blinking LEDs. If I did something wrong on the Skulpt, I had no way of telling what I did. When both the Skulpt and the other synth I had bought, a Craft Synth 2.0, kept crashing, I sent them back. Dealing with those made me appreciate the Mini Nova's controls so much more. The Mini Nova has a screen that shows you numerical values as you turn knobs! Such a simple feature, yet dealing with the ME synths has made me realize how I took it for granted. Furthermore, while some features of the synth, such as LFO's and patching, do require you to menu dive a bit, there's enough knobs to tweak the synth's sound, in both subtle and dramatic ways without needing to look at the screen. The toggle switch to the right of the synth dictates what the four small knobs do, and the text on them is clear enough that I don't have to look at the screen. But having the screen there is so wonderful. Moving on to sound, I'll compare this to one of my old synths, a first generation Korg Minilogue. Great sounding synth, even more hands-on than the Mini Nova. There's one nuance to the Minilogue's tone that makes me glad I've got the Mini Nova back in my arsenal, now that I'm playing synths so much more. Nearly all of the Minilogue's tones have a metallic edge in them. Sometimes that's preferable, so I'm not griping. But when it comes to dialing in a warm, smooth tone, the Mini Nova does so with ease, as well as edgy metallic tones or otherwise. Put simply in another way, until now, the Minilogue was my most tonally versatile synth. The Mini Nova trumps it easily in that department. Oh, and unlike so many other synths, the Mini Nova has an ENTIRE bank of BLANK presets!! I've used numerous digital synths that are fully loaded with presets. If you want to save a tone you dialed up from scratch, you need to delete a preset on said synths. Not so with the MIni Nova! I'm so glad that Novation realized tone tweakers like myself would want to dial in their own tones, while also enjoying some of the preset tones! I would recommend the Mini Nova to synth players of all experience levels. As an absolute beginner myself back when I bought my first Mini Nova, I was still comfortable enough with it to start creating my own tones from scratch on day one. While I've got a lot more experience in synth tweaking now, I still don't use the Mini Nova to it's fully capacity, so as long as one doesn't mind the digital nature of this synth, I'd even recommend this to an experienced synth player. I feel the Mini Nova is very unique with the features I've outlined: Very powerful and flexible, yet friendly and approachable to new synth players. Plus it's hardware feels rock solid. While I understand not many people like the mini keys, I don't mind them and they beat the touch pads found on other synths!

I am just getting started in electronic music creation, and this has been the perfect synth for me. At first I was comparing this keyboard to the UltraNova and wasn't sure which one to get. I really wanted a vocoder (both have this) and they both have the same sound engine, but I was used to the full-size keys of a larger keyboard and I wasn't sure how I would like having to run the sound through a separate USB MIDI input (the UltraNova can just plug in via USB). Ultimately the lower cost of the MiniNova and the great videos I saw on YouTube won me over in favor of the MiniNova. It's been great! I've been using it with Garageband on a Mac - plugged in through a USB MIDI input device I bought years ago, and recording has been very easy. I record it as a "real instrument", not as a MIDI controller. Just make sure your levels are good (not too low and not peaked) and you get a perfect recording. In fact, the smaller size of this keyboard has made recording MUCH easier on my computer, since the MiniNova can sit on my desk right in front of my computer keyboard and not have to sit on some large stand a few feet away. The smaller keys are actually easier to play in some respects because you can jump around much easier. The only time I wish for a larger keyboard (in terms of number of keys) is when I play something classical like Bach, but when I actually go to record my own electronic music this doesn't really apply anyway. There is an easy to use octave control that gives you whatever range you are looking for when needed. The sounds are excellent. I love the vocoder and there are a lot of great synthesizer sounds, both modern and classic. The arpeggio/motion sounds are very good. If anything I could use a few more, but it's an impressive collection overall. Just hearing some of the sounds and playing around with them is inspiring for the kind of music you can create. I've been sticking to mostly the "stock" sounds without having to do much tweaking with the onboard controls, but as I play around with those I can see the power that is available for tweaking on the fly. They are easy to use. I would say the only "problem" I have had (and I wouldn't say it's a true problem), is that if I do go crazy with some tweaking of sounds, sometimes it seems I lose the original "stock" sound, but a quick reset of the synth (turn it off and back on) brings it back to normal. Maybe a reset button would be useful, but it's not a big deal to get around it. The controls on the MiniNova also seem a bit easier than the UltraNova. When I tried out the UltraNova in a local music store, it took the sales guy (and me) about half an hour to get the vocoder to work. Much simpler on the MiniNova - just turn the dial and you get your choices. I also like that the sound tweaking controls are right there in front of you with real controls and not buried in some menu that you have to navigate. Overall an excellent synth that is relatively easy, fun to play, and powerful enough to keep me happy for years to come. Nice job, Novation.

I have been searching for an affordable portable analog modelling synthesizer and was deciding between the MiniNova, Microkorg, and Roland JDXi which are about the same price (except that the JDXi which costs $100 more). My key criteria are the portability, has 37 keys (for live performance), availability of free patches. and features to allow the creation of my own sound. All of these synthesizers apparently fit the bill so it has been a tough rather difficult decision. However, after I tried out the MiniNova at a local music store, my mind was made up right away that it was the right choice. The mini keyboard was so playable and sensitive that it got me sold as I play solo leads for my performance band. The layout of the control knobs and buttons are also very intuitive. What also surprised me was the availability of many high quality free patches (by going to the Novation site, Google and Youtube searches). Managing these patches was very easy by using the free MiniNova Librarian (a stand-alone app). We could create folders within the software for each set of patches. What also nice is that we can try out the sound by simply selecting it in the librarian and play it on the keyboard (there is no need to load the patch to the keyboard). I was able to try out hundreds of the free patches this way and create a special folder to store the ones I liked. Then all I needed to do is to load the sound files from this folder to the MiniNova for off line playing. Another nice thing with the MiniNova is that it can been powered by a portable USB battery pack which is very convenient for using it where AC power is not available. It also has an editor plug-in which I loaded to Ableton Live. With the plug in , we can modify and / or create our own sound. The possibility is endless with the wealth of controls (oscillators, modulators, mixer) available within this plug-in. Another great way to use this synth is to select a sample you like and launch the Minova Editor to dissect the settings being used to produce the sound / effects.

I've played with my Korg Volcas for a while now, and I wanted something a bit...….more. I don't write many reviews, but this thing is SPECTACULAR so far, and I've only had it about 12 hours. I started out playing with the arpeggiator and presets, which were fun - not exactly my taste, but definitely good for getting a sense of what the machine can do. After that, I loaded the software, updated the firmware, and used the VST plugin in LMMS 1.1.3, which seemed to work fine. I use a tiny little Acer Spin 111-33 without much oomph to do simple things like arpeggiate my Volcas and sync midi devices, and the VST seems to work perfectly fine in LMMS on my machine so far. The Mininova came with a license for Ableton Live Lite 10, but judging from the size of the download, I figured it might be a bit too heavyweight for my little Acer travel laptop. There were also some patch libraries that were bundled, but I haven't tested them yet. I was able to make a nice, light-sounding patch that I made a simple lullaby out of - perhaps a bit of a departure from the hard-driving bass and dubstep patches the thing seems mostly loaded with, but it definitely confirmed my hopes of the configurability of the machine. I almost went with a microKorg due to my positive experience with other Korg products, but as of now, I'm glad I got adventurous and went with this machine. The configurability via the VST seems to be amazing - I can't wait to play with it more. I do think it would be frustrating to try and take full advantage of this machine without the VST - the menus on the machine are a bit much for the tiny display and handful of control buttons. That said, I think that for someone (like me) willing to dig into the controls via VST, there is a lot of exploration to be done on this machine. The single complaint I have so far is that the menu/data dial had come off during the shipping, but all I did was put it back on the post with a gentle push, and it seems solidly in place now. Judging from a few dings on the box, I imagine that the machine was given a little rough love during the shipping process - the device seems relatively well manufactured. A little more play in the mini keys than I like, but they don't feel delicate. I don't own a lot of synths, but I definitely suspect it would be hard to find this much functionality in a similarly-priced package.

First off: never buy a mini keyboard if you’re trying to learn to play piano, or don’t already have a full-sized set of keys for general recording. The keys are half the size. Know what you’re buying or you’re going to be disappointed. I have seen too many reviews start out this way. That said, this thing has impossibly good sound for the money, and the vocoder is the rich, cream cheese icing on the cake. Portability for sketching out tunes and noodling is a breeze. It sits comfortably on your lap. The keys are responsive. The knobs may need a little breaking in, as they seem scratchy at first. Tons of port options in the back. Patching jacks, headphone, usb, midi in and out, and option 9v adaptor when not plugged in to a computer. Lots of base patches and so many variations in real time with the knobs. I immediately fell in love. The lights are a bit bright for my taste. There may be a way to dim them, I haven’t looked. There’s definitely going to be some learning curve. But everything sounds so wonderful that I’m in no hurry to drill in to specifics, and am willing to take the time to organically find my sweet spots. The display isn’t anything to look at at, but it’s clear and easy to read, and shows a good dashboard set of info. I just purchased a MOOG Sirin, which I also love, but it doesn’t have the mini keys to make it as portable as the miniNOVA. I think the two will compliment each other extremely well.

The Novation MiniNova is a compact powerhouse that delivers impressive sound design capabilities in a portable package. Its 18-voice polyphony, three oscillators per voice, and a wide range of waveforms (including virtual analog and digital options) make it a versatile tool for electronic music producers. The onboard effects, such as reverb, delay, and distortion, add depth to its sound palette, while the vocoder and VocalTune features provide creative options for vocal processing. The arpeggiator and “animate” function further enhance live performance possibilities. The build quality is solid, and the interface is intuitive despite its small size. However, the mini keys may not appeal to those seeking an expressive playing experience, as they lack aftertouch and feel slightly stiff. Additionally, the synth’s mono-timbral nature limits its ability to layer or split sounds. Overall, the MiniNova is an excellent choice for sound designers and performers who value portability and deep programming options. While it may not suit those seeking realistic acoustic emulations or multi-timbral functionality, its rich and punchy sound more than compensates for these limitations. Four stars!

I actually wanted a midi controller at first so that's why I went with this. Although they will tell you this is not a control surface, they're lying. Every single knob sends CC, and every time you move the switch you get four different controls, so technically this has a total of 24 knobs you can assign to 24 different controls in your DAW. Not a fan of the small keys but they're not that bad, just not ideal for piano, strings and other instruments you don't only play single keys with. But since I'm an electronic music producer and most of my synths consist of single notes, I'm actually fiddling with the knobs more than I am with the keys. And costs the same as the Remote SL 25, yet has 37 keys. Sure, small and all that like I said, but that's not a huge deal breaker for me. I do wish they made a mininova version with bigger keys though. And no, the ultranova is not it. You don't get that humongous filter knob with the ultranova. And I personally don't think the ultranova is worth the extra money. Specially since they both share the SAME synth engine. You can review your patches with the editor and you're good to go. Now on to the synth part. I've probably hardly come across such a versatile synthesizer, and specially for $400. From lush pads to in your face aggressive leads and reeces. I am thoroughly pleased with it. I wouldn't say it's better or worse than any other synthesizer. It's just different. So yeah, if you want a great synth engine with full midi controller capabilities for your DAW and don't mind the small cheap keys, this is the best bang for the buck. Five stars, and expect to hear some of my patches soon!

This is a fun little synth, simplistic, but has a full sound,and just enough control to keep me busy.

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Wow! What an awesome synthesizer.. Unbeatable synth for this price range. Delivers crystal clear sounds with lots of live modulation controls. Very good bass voices, leads, pads, arpeggiators.. The good thing is, they have been releasing new sound patches then and then. So, whenever we need more presets, we can just download and install them.. If you are looking only for synth voices and you don't need piano or any realistic instruments, This is bang for the buck. Only thing is, the keys are small.. but its ok to play with these keys. It provides good look for the Instrument.

I treated myself to this prior to Xmas 2014. Although I've had keyboards and guitars for years and only dabbled as a hobby, by no means a competent player on anything, I;ve always longed to own my own synthesiser, as I'm a huge fan of electronic music (EBM) and always fancied myself as a bit of a Numanoid. I've had a few plays with this gadget and am well impressed with the sounds I can get out of it! I'm now looking into building a bit of a studio around this instrument and having a bit of an experiment with sound and recording. I think this little sound machine should fit into my plans nicely. Recommended, indeed!!

Great sound engine. It would be nice if it could record layers and be able to store them, though. It is what it said it is. I am using a multitrack recorder, and this works well. It will be great getting to know this machine, and I reccomend it. 4 out of 5 only because it came with the wrong power adaptor. Seven days later...update: The manufacturer (not amazon) sent me the replacement adaptor, no questions. One week of playing...this tool is awesome! Totally reccomend it! Five stars now.

Ein Synth mit Aufwärtskompatibilität. Wenn du das Gerät richtig in dein Setup einspannst ist einfach alles möglich. Wir arbeiten nahezu ausschließlich mit dem Gerät und haben viel Freude an den sauberen Filterverläufen und dem eingebauten Arp. Mit den Drehreglern und der Matrix lässt sich einfach alles verändern, so steht einer aufwändigen Synthese nichts im Weg. Für Einsteiger sowie Profis ist das Gerät direkt zu empfehlen, ich lese viel Fachliteratur und dieses Gerät hält was es verspricht.