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Hard work rarely brings it's reward, whether in everyday life or music. That must have been how Stackridge felt in 1974. After gigging solidly (300 plus gigs a year for three years), while recording three albums, three singles and at the same time shoe-horning in appearances on the Old Grey Whistle Test, the John Peel Show and Radio 1 in Concert, they found themselves, in the words of inimitable singer/flautist Mutter Slater, 'becalmed and frustrated'. All hopes were now pinned on the January 1975 release of Extravaganza, which was being released on the newly formed Rocket Record label (a happening place to be for one of England's then brightest young bands). Sounds, in a review of the album in early 1975 wrote 'Don't ignore something too good to be missed. Stackridge are back. And happy days are here again'. 10 tracks including 'Grease Paint Smiles', 'Highbury Incident' and more. Angel Air. 2007.
R**R
Worth it just for the standout track "No One's More Important Than The Earthworm".
A solid album that contains the great hit "No One's More Important Than The Earthworm". That is the standout track here, but there are a few very good instrumentals on this album that you will also enjoy.
C**G
Five Stars
Good times from years ago revisited with this recent acquisition. I always enjoyed this group of merry makers.
R**S
Really sealed over this years !!!
Exellent !!! Very Happy , it Sounds Incredible , one of my fouvorites Stackridge records !
R**A
unique album, to say the least!
want to escape from all your problems and be entertained forat least 35 minutes? well, this album is for you. i absolutelyadore this album!I've heard three of their other albums(MR. MICK, FRIENDLINESS and the American version of MAN INTHE BOWLER HAT, PINAFORE DAYS) and I really don't like them toomuch.Their other albums have very funny and original songtitles and song lyrics, but musically I find them very dull anduninteresting. The singing, while nice and pretty, doesn't grabme and pull me in, either. Musically, they're a combination of the BEATLES during their REVOLVER, SGT. PEPPERS and MAGICAL MYSTERY era minus the attractive melodies, and boring folk music. The one exception is THE GALLOPING GAUCHO from PINAFORE DAYS, featuring the distinct vocals of my favorite STACKRIDGE singer MUTTER SLATER. Everything came together for STACKRIDGE on EXTRAVAGANZA. This album was STACKRIDGE at their funniest and containstheir best songs. the version i own on lp starts out with thealbum's best song and funniest song, THE VOLUNTEER. the singingis very RINGO STARR-ish and the lyrics and the music are veryclever and very funny! the mellotron gives the song a prog rock feel, while the violin and guitar playing give the song a slight country/western feel.this is a song MONTY PYTHON could'vewritten! the instrumentals on this album, RUFUS T. FIREFLY andWHO'S THAT UP THERE...(the title of the 3rd one eludes me at themoment) can best be described as jazzy, children's carnivalmusic. another irresistably catchy and hilarious song is HAPPY INTHE LORD.the little speech at the end is a riot and reminds me ofHAWKEYE'S dream in that M*A*S*H* episode where everyone hasnightmares! on the oppositeend of the spectrum is NO ONE'S MORE IMPORTANT THAN THE EARTH-WORM, which was penned by ex-KING CRIMSON singer GORDON HASKELL.it's a very melancholy song, with a very appropriate guitar solo. The BEATLES influence shows up the most on DO THE STANLEY, which originally appeared on the previous STACKRIDGE album, and BENJAMIN'S GIANT ONION, which also sounds a bit like THE KINKS song SUNNY AFTERNOON. The only track I don't like isGREASEPAINT SMILES... and I'm a tad on the indifferent side to THE INDIFFERENT HEDGEHOG. A VERY GOOD ALBUM!! ( I just picked this album up on cd and the cd version has theoriginal U.K. track lineup, which replaces DO THE STANLEY andTHE INDIFFERENT HEDGEHOG with two weaker tracks, SPIN ROUND THEROOM and HIGHBURY INCIDENT. I prefer the U.S. version of this,onebecause that's the version I'm used to and two because it doesn'tplace all three instrumentals so close together. By placing themso close together, it only showed how similar all three instru-mentals are and the U.S. version spreads them out a little, giv-ing the album a much more varied feel.)
G**N
Holds up well on it's own
I know that Stackridge fans are generally split when it comes to Extravaganza because it is a bit different than their first three. Without going into a really detailed, long review I am going to say that I am one of the fans that find this album to be quite good. Now, this album is a bit more rocking, and a bit less lush and symphonic that their first three releases. After all, in reality, this was pretty much a different group than the group on the first three albums (4 of the 6 members had been replaced). Keith Gemmell who had been the woodwind man in Audience is here, and contributes a lot to the sound of the band (some of the parts sound very Audience-like in the production). There are some very good progressive-pop melodies here, along with good lyrics, three very Zappa-influenced instrumentals that are just great, totally stellar musicianship, and very solid production by Tony Ashton. I think that it is worth getting if you are a fan and are willing to accept the fact that it sounds a bit different than the first three. If you don't have any Stackridge and are curious, then I would recommend that you get "Friendliness" first.
G**H
Extravaganza fan
I am not so much a Stackridge fan as an Extravaganza fan. The talents that came together briefly to make this album were outstanding and it is quite simply my favourite album of all time, any genre. It is the combination of great songs, many of them written by Rod Bowkett on this album and the interplay of keyboards, sax, clarinet, flute, violin, drums, lead and base guitars that make Extravaganza musically exceptional. There is such a variety here with wonderfully whimsical, humorous lyrics and three great instrumentals. There is a feeling of spontaneity and ingenuity. The overall sound is both very full and intricate. In the thirty years since I first bought this album on vinyl in the UK, I have yet to come across anything as satisfying as a good listen to Extravaganza. As a reference point for those that have not heard Extravaganza, the closest to the feel of this music that I can think of is evoked by 10cc's Original Soundtrack album.
C**N
Superb
Superb album from an underrated band.
H**H
Four Stars
Great Album CD - No issues! Good Supplier
A**O
recomendable
para amantes del prog-rock. Bastantes florituras, unas cuantas melodías memorables y bien compactado. Sería interesante ver cómo sonaba este personal en los años precedentes, con quizá un poco menos de parafernalia.
3**ィ
スタックリッジの1st。
ビートルズ直系といわれるが、この1stではソフトプログレ色が強い。英国のプログレポップバンド。
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