After Photography First Edition

I am looking forward to getting my teeth into this book. This was suggested by a professor of mine. Study and ye shall learn.

Ritchin provides great examples of innovative uses of photography with new media today (web sites, artist's projects...) although he doesn't suggest much as to 'what's next.' He lays out important questions about authenticity with regard to digital photography and the 'truth' behind a photograph. He explains what he calls 'hyperphotography' as the new interactive web based format for photographs. I don't know if his idea about scrolling over a photo to 'see more' will catch on but he definitely got me thinking about the potential for new technologies in photography. This was an interesting read and I appreciate the reproduction of some great photographs.

My favorite Ritchin's book.

Photographers certainly know how to simplify their subjects and how to put a frame around a portion of the world so that nothing impinges on their image. However, perhaps because they look at the world through a viewfinder, they sometimes seem to miss not only the larger world around them but the place of their photography in that larger world.Fred Ritchin, who teaches photography at N.Y.U., believes that the method of capturing images changes the world and that the world changes the method of capturing images. In a some times rambling essay, the author looks at various aspects of photography, with an emphasis on the changes wrought by the digital world. On the one hand he decries the easy malleability of the digital image, and on the other sees opportunity for greater understanding through the digital photograph. He explores possible uses of digital media in the future in ways that reminded me of the world of Neal Stephenson's 1992 science fiction novel " Snow Crash (Bantam Spectra Book) ". (The Wall Street Journal recommended reading "Snow Crash" for a view of the future; better hurry up before that book is overtaken by events.)Ritchin complains about the uses of digital media as a means of invading privacy and at the same time suggests that its use can aid humanitarian causes. Although he sees the possibility of either, or both, great benefits and great costs, he does not suggest what photographers can do to direct digital media toward the benefits. Furthermore, after exploring many bold possibilities, he seems to come down for the use of photography on the internet in sites that give the viewer options in how to examine the pictures presented by hidden captions or links of portions of pictures to other sites or similar techniques. It seems a simple direction for a book that aims at lofty goals for digital photography.Ritchin is primarily concerned about the world of documentary photography and ignores the role of the digital in art photography, although I suppose that his interest in websites that present the viewer with options to follow could be bent to artful use as well as documentary.While a well turned phrase is always appreciated, often the author's prose turns purple, or takes a flight of fancy, as when he suggests engaging an image of his long-dead grandmother in conversation.The book is interesting and makes some valid points, but on the whole, it looks like the author had collected notes over the years and decided that no thought could remain unuttered. It will be hard for photographers, viewers and students of media to develop a useful picture of the role of photography in the future from this book.

I enjoy this book. I arrived on time.

This is a fascinating look at the future of still imaging. I hesitate to use the term photography because photography as we know it is moving toward the same state as oil painting or watercolors. The creation of a still image using silver halides or bleached silver halides and dyes has moved from a mainstream activity to a niche activity performed by wild haired artists with berets and goatees. This book explores that and what it means to the idea that a photograph reflects reality (and delves into exactly what reality is, and how stills reflect differing views of reality).This book is a must read for people interested in the future of still imaging, and interested in shaping and participating in that future.

I got the book quickly - within a week - and it cost a fraction of what the school bookstore was charging. Not to mention the book came to me in better quality than stated. It's practically new. I will never purchase books at the school bookstore again.

Am an Italian student of Fred Ritchin.He is a professor that I had the chance to enjoy during my present studies at ICP,he transmits all his powerful thinking around the medium of photography into the book, I highly recommend it,"a must read" if you are into it!

good

Presents a really good thought provoking discussion over what is the future of visual images in the age of ubiquitous user generated content and easy access to massive processing and sictribution power.This book should be required reading for anyone who has a digital camera and wants to use it to say anything about how the world is today.

Excellent introduction

I was prompted to buy this because I found it in my local Sutton, Surrey library (save libraries! - I would never have come across it otherwise). I subsequently bought it because it is the best attempt I have seen to provide a bit of definition in what is usually a very woolly area of discussion, that is, How does digital technology affect the way we preceive the world? Does it alter the fundamental way we think? Unlike most articles or books which attempt to tackle this notoriously elusive question, this is full of facts that would be hard to gather by any other means, thought-provoking, and entertaining.