Lev's Violin: An Italian Adventure
B**.
A fascinating journey with an incredible conclusion.
I loved Helena Attlee since I first read The Land Where Lemons Grow. Lev's Violin is an incredible journey around Italy and beyond. So much detail, information, and history. It never crossed my mind to learn about violins but Helena writes so beautifully and so diligently, I'd read anything she writes about. If you love historical facts and beautiful storytelling, give it a go. The story of Lev's violin is one that needed to be told and Helena had to be the one to tell it.
F**P
Readable and informative
When I originally glanced at the description of this book I missed the fact that it was fact not fiction, I am a voracious reader of novels but find it hard to maintain my interest with non-fiction. Having received an advance reading copy for review though, I had to give it a go; the story starts with the author hearing a violinist play and being incredibly moved by the 'voice' of the violin, happening to speak to him after the event and being allowed to see and hold the violin, which did not in itself hold any particular beauty and bore no craftsman's signature, she still felt compelled to investigate the history of handmade violins and the great names and traditions surrounding this incredibly complicated skill.The Italian journey starts in Cremona where she learns about Amati, Stradivari et al and is shown workshops where violins are still crafted today. Most of the book covers the history of violin making in general and Italian violins in particular but towards the end of the book does make an effort to find the origin of the titular violin.She encounters the violinist 2 or 3 times and he points her to the man who lent and then sold him the violin - Lev, the journey then takes her to Russia where the violin was purchased. There is speculation but no definitive answer until she enlists a dendochrenologist to age the violin from the markings of the wood - I won't give any more away!Although not my preferred genre, I did find the book enjoyable and informative and for those who are interested in music or history or both, with a good helping of travel bio added in, then this is an excellent read.
S**P
When a very fine violin brought one writer to her knees
The life and times of an instrument whose sound seduced author Helena Attlee. It's not that she's a musician herself, just a curious enthusiast who throws her own skills as a writer into discovering why this particular violin is so damn good.The wood, the design, the construction, the maker's talent (and who was that anyway?) are all exhaustively explored as Attlee educates herself in the techniques and raw materials involved. Did it emerge from that most hallowed of violin birthplaces, Cremona in Northern Italy? And were any of the greatest violin-making names involved: Amati, Stradivari, Guarneri, for example? Attlee consults today's top luthiers and takes us everywhere, including Russia and the rest of Europe, as she covers the centuries from the 16th to the 21st. How were the great instruments first made, and how are things done now? Most important of all, is Lev's fiddle worthy of Attlee's enthusiasm?The investigation is fascinating, and the incidental touristy colour is just as engaging because it humanises the entire venture. Nor will you be excluded from the search if you aren't a life-long musician. After all, it was on day one and quite by chance, that Attlee first heard Lev's instrument as a casual audience member at a gig. Never had she heard anything like it, and that's all it took. The subsequent journey should angage us all. It's as entertaining as it is exhaustive.
C**R
A far reaching detective story.
The writer takes us on a journey both physical and in the imagination triggered by hearing the magical tones of an old violin.We discover numerous possibilities of how the violin came to end up with its custodian.A fascinating journey that encompasses history , diverse musical genres , and emotional connection to an intriguing object.Thoroughly recommended.
M**E
A downward scale
I liked the original idea of tracing the life of a violin but ultimately it seemed to make too much of too little and although there were occasional interesting sections as a whole it failed to retain or reward my interest.
C**S
Love this book
Great read - years ago I dreamt of making my own violin and this has re-kindled that dream. It was a really interesting journey - one I wish I could take with my own violin. Despite it being part of me for 40 years I shall now look at it in a new light and I get how the author has said 'it has it's own personality', which of course I knew deep down. Recommended read!
U**R
Engaging look at the craft of making violins
This is a slim but detailed book about the history of violin making. I love the violin (although my attempts at learning were painful to hear!) so I was very interested to read this book. The author becomes obsessed with tracing the origins of a particular violin after hearing it being played. This takes her on a journey into the history and craft of making violins. This is a fascinating book although it obviously will be best appreciated by people who love the violin. It is well written although it can be a bit dense at times.
M**T
Lev's violin. Can't wat for the next page.
This book is quite difficult to get engrossed in. I feel l would enjoy it more with a long sustained read. I think the idea of the book is fascinating and l hope it will open up many aspects of ltalian life past and present.
P**E
Calling all lovers of the violin !
Helena Attlee is a talented writer who take her readers on a beautiful journey of music-making. Rich with historical anecdotes, I have found even a deeper appreciation this amazing instrument.I was also very impressed with her other book, "The Land Where Lemons Grow." Either book (or both books) is great reading, especially if one is going to Italy !
L**E
A magical journey
I have heard other rare violins in concert, so can only imagine how Helena became transfixed! A beautiful journey that speaks to the power of physical objects in our digital times.
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