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“I did not go to Nicaragua intending to write a book, or, indeed, to write at all: but my encounter with the place affected me so deeply that in the end I had no choice.” So notes Salman Rushdie in his first work of nonfiction, a book as imaginative and meaningful as his acclaimed novels. In The Jaguar Smile , Rushdie paints a brilliantly sharp and haunting portrait of the people, the politics, the terrain, and the poetry of “a country in which the ancient, opposing forces of creation and destruction were in violent collision.” Recounting his travels there in 1986, in the midst of America’s behind-the-scenes war against the Sandinistas, Rushdie reveals a nation resounding to the clashes between government and individuals, history and morality. Review: Brilliant if somewhat dated insight into Central America - This short book is an almost perfect example of insightful travel writing. The work reminds one of the possibilities of the genre, combining shimmering prose with acute observation. The fact that some of that observation has proven deeply flawed is simply a gift of hindsight. As a picture of central America (an area I know well) at a certain crucial moment of its tortured history the book is simply essential. While the book is unashamedly pro Sandinista, Rushdie is critical of their policy of censorship and failure to include the tribal and black minorities in their revolution. The Jaguar Smile also reminds us of the murderous policies of Ronald and Ollie. Sadly Ortega is back in power and proving little better than that corrupt US duo. But the Jaguar Smile is more valuable for its art than its dated politics. Enjoy it for what it is - a minor masterpiece of travel writing - too often a mediocre genre. Review: A glimpse into a point in history. - This is an interesting book on the Nicaraguan Revolution, sometimes referred to as the Sandista, Contra issues. It is one observers view of how things were in Nicaragua during the tail end of that time. The author is not completely un-biased, nobody is, but he does do a good job of presenting what he saw there without choosing sides and is upfront about his bent. Over all a useful glimpse into an important part of that countries history.
| Best Sellers Rank | #856,508 in Books ( See Top 100 in Books ) #214 in General Central America Travel Guides #1,957 in Travel Writing Reference #2,150 in Travelogues & Travel Essays |
| Customer Reviews | 4.2 out of 5 stars 211 Reviews |
S**O
Brilliant if somewhat dated insight into Central America
This short book is an almost perfect example of insightful travel writing. The work reminds one of the possibilities of the genre, combining shimmering prose with acute observation. The fact that some of that observation has proven deeply flawed is simply a gift of hindsight. As a picture of central America (an area I know well) at a certain crucial moment of its tortured history the book is simply essential. While the book is unashamedly pro Sandinista, Rushdie is critical of their policy of censorship and failure to include the tribal and black minorities in their revolution. The Jaguar Smile also reminds us of the murderous policies of Ronald and Ollie. Sadly Ortega is back in power and proving little better than that corrupt US duo. But the Jaguar Smile is more valuable for its art than its dated politics. Enjoy it for what it is - a minor masterpiece of travel writing - too often a mediocre genre.
D**T
A glimpse into a point in history.
This is an interesting book on the Nicaraguan Revolution, sometimes referred to as the Sandista, Contra issues. It is one observers view of how things were in Nicaragua during the tail end of that time. The author is not completely un-biased, nobody is, but he does do a good job of presenting what he saw there without choosing sides and is upfront about his bent. Over all a useful glimpse into an important part of that countries history.
L**G
Price and quality
Excellent condition
A**R
A moment in time
This is a better than average version of the many VIP accounts of the Sandinista revolution that the government fostered in the 1980s. Rushdie's sympathy is realistic, coming from a "Third world" background as he does, and it is tempered with healthy skepticism and a sense of the absurd that makes for interesting reading. It's still a pretty shallow, Potemkin village, treatment of a beautiful country with a fascinating history and culture. Rushdie writes a lot about the past haunting the present, but his Nicaraguan history starts with Sandino, and he has very little sense of the country as a land of towering volcanoes, frequent earthquakes, and generally spectacular natural environment. He seems to look down on Nicaragua because it isn't as heavily populated as India and Pakistan. The book is a pretty good snapshot of a politico-social moment in time, but as time marches on it seems more and more dated and irrelevant-- like the abandoned "journalist hotels" in Managua during the 1990s, when the staff sat around like cargo-culters, waiting for the magical foreign goodies to return.
L**N
I liked it!
I have lived for 2 weeks in Nicaragua last summer and fell in love with the country and its people. This book reminded me of heroic Nicaraguans and their unbelievable optimism and stamina.
B**H
great historical perspective
As a frequent visitor to Nica, I think this is a great first person review of a visit to Nica in the 80s, and a decent historical perspective from the mid 90s. Many of the things he says about Nica and its people are true. Fascinating views of the Sandinista leaders prior to the 1994 win by Chamorro. Ever Rosario Murillo shows up, in a small way.
A**R
Book itself does not look brand new
Haven’t read the text yet. But book cake with a small broken edge and looks a little dirty. No biggie, just doesn’t seem brand new.
H**S
Excellent Read
A very good perspective on one of the most interesting countries in Latin America. It's an extremely quick read, but the point is thoroughly expressed throughout it's pages.
G**Y
Five Stars
Beautiful and fascinating book
S**E
Impressing Report on 1980s Sandinista Nicaragua
In a subjective, poetic, very readable style, british/indish literati Salman Rushdie writes on his journey to Nicaragua under the Frente rule in the 1980s. What seems to be apologetic of a Marxist-Leninist regime in the perspective of Neo-Conservatives is actually an outcry over the injustice heaped upon a small country looking for self-determination. The small book does not aim to provide something more than "snapshots", it would take a different book to get a more conclusive idea about the Nicaraguan Revolution and the Contra War.
R**N
Five Stars
5 star
L**E
コルタサルのルポとの違いがどの辺りにあるかを考えながら読む
これは例の『悪魔の詩』騒動の起きる何年か前、ブッカー賞受賞の新進小説家だったラシュディが、ニカラグアの文化団体からの招きで現地を訪れた際の見聞をもとに書かれた、政治的ルポルタージュ兼旅行記とでもいうべきノンフィクション作品である。おりしもサンディニスタ革命政権に敵対する反政府組織コントラへのアメリカ政府の関与が国際的に問題となっていた時期であり、国民の高い支持のもと、革命政権はなんとか持ちこたえていたものの、なおも予断を許さぬ緊迫した情勢下にあった。 実をいえば、著者はこの時点ですでに、ロンドンにおける「ニカラグア連帯キャンペーン」のスポンサーの一人であった。つまり「全く中立な観察者として赴いたのでは」なかった(それについてラシュディは、序文のなかでわざわざ前もってことわっている)。とはいえ、さすがに幼少時から青年期にいたるまで、複雑で不安定な政治的・文化的環境のもとを生き抜いてきた経歴をもつ作家だけあって、ニカラグアの現実に向けられる同情にみちたまなざしのなかでも、安易な党派主義や贔屓の引き倒しに流れることをよしとしない率直さと懐疑精神とが一貫して保たれている。とりわけ〈戦時体制〉を口実として、報道の自由をはじめあらゆる言論の自由が圧殺され、異論をもつ人々の権利が侵害されること───キューバをはじめ、これまで〈社会主義革命〉を標榜してたちあがった体制の下でしばしば繰り返されてきたこと───に対するラシュディの懸念は深い。「パキスタンとインドの戦争中、私はパキスタンにいて、救い難いほど故意にねじ曲げられているというだけが取り柄の情報を口の中に押し込まれたらどんな心持ちがするものか、肌で知っている」そしてその点においては「バリカーダ(ニカラグア政府公認の現地紙)はこれまで私がお目にかかった新聞のなかでも最低だ。」 しかしその一方で、自らがじかにその謦咳に接し、忌憚なく互いの意見を述べ合った革命政府の何人かの要人たちの人間性、「その高潔さと柔軟な現実感覚」に対しては、いかなる留保もなくこれを称賛せずにはおかない。そしてまた、彼らを支持する多くの国民たち───選挙での得票率は8割を超える───の変革と独立への一貫した思いや、あくまで自発的で献身的な自己犠牲の精神のあり方には、その根底に流れる明らかな宗教性───いわゆる〈解放の神学〉と称されるような、中米的に土着化されたカトリック・キリスト教の精神文化───への若干の本能的な違和感を覚えつつも、やはり強い感銘を受けるのである。 「生まれて初めて、驚きつつ認めるのだが、やむを得ずではなく、(生き抜いて、国を建設し、そして国を変えるための)努力が実ってほしいからこそ支持する政府、というのに私はめぐり会った。〔中略〕上に立つ人々の側につくなんて、何と珍しいこともあるものだと思ったが、事実にそむくことはできない。つまり私がニカラグア人作家だったら、サンディニスタ戦線の後援に回り、後押ししなければという気になっただろう。」とはいえ、米国の不当な圧力や腐敗した旧勢力の桎梏を脱しさえすれば、それでこの国のかかえるさまざまな問題のすべてが好転し、解決へと向かうというわけではもちろんない。祖国防衛に意気上がる民衆のいささかロマンチックすぎるようにみえる熱狂をまえにして、彼はやはりこうもひとりごちずにはいられないのである。「だが国を造るとは何かもっと平凡な、散文的なもの、例えばPLOとIRAの違いを区別できる能力を必要とするのだ。」 あくまでジャーナリスティックな意図のもとにつづられた記録ではあるけれども、独特のユーモアと諧謔をたたえつつ驚くべき自在さで展開してゆくラシュディの語り口は、なんといっても魅力的なものである。時事的なトピックとしてはもはやすっかり過去のものとなってしまったとはいえ、単なる調査報告をこえた、まさに作家の見た〈ニカラグア像〉の記録として、この無類に面白い旅行記は、今もなお読み直されるべき価値を失ってはいないと思う。
K**N
Five Stars
great thank you very much indeed
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