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A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.
T**Y
Ample water where there is none
DUNE (2021)Denis Villeneuve is arguably the most accomplished director working in film today. His storytelling is expansive, rooted from rich source material that is further elevated with immersive visuals whose colours are soaked in social commentary; Prisoners examined the frailty of society's civility, Arrival illustrated the necessity of higher communication and collaborative thought (something that appeared alien as Trump had won the election), Sicario shone a torch on the duality within morality, and Bladerunner 2049 asked whether humanity was exclusively a human quality and if so, why do we appear so incapable of it?It is obvious Villeneuve is an acolyte to Frank Herbert's epic; the House of Atreides, the Harkonnens, the Fremen and Arrakis itself are as you would image them to be. It does not disappoint. Every element of the design from the architecture, the machinery and weapons to the giant sand worms are executed with conviction, further evidence that this Canadian film maker is the apex in world building. Like all his work, this demands to be shown on the largest canvas possible. The ensemble cast as one would expect are flawless and Chalamet makes a very credible Paul Atreides, he embodies the spice itself around which all others orbit.One has to address the white elephant as those of a certain age are still stained by David Lynch's operatic '84 behemoth. It's hard to forget the ginger haired spritely Sting running around like Puck in Midsummer Night's Dream, the bold brazen look of the Bene Gesserit Sisters or the neo-punk S&M inspired costumed sheer repulsiveness of Baron Harkonnen. It's difficult to talk about this latest version without having the foreboding dust clouds of the former not too far away. How does this compare to Lynch's hugely flawed but impactful romp?Villeneuve's adaptation is more nuanced, it feels far more authentic. The dynamics between Paul, Lady Jessica and Duke Leto are more fleshed out, events are given greater weight by dramatic scenes being played out like the rescue of the harvester workers or Duncan's stand. Amongst all the splendour the central theme of fate is finely weaved into the fabric of every frame. The House of Atreides are fully aware of the position the Emperor is putting them in but press on regardless, almost embracing their fate. This atmosphere of inevitability is heavily worn by all the protagonists and visually renforced by the repitition of Paul's visions. The Fremen and their connection to Arrakis are given a strong religious tone. There are signs of Jerusalem here and the question of whether any kind of occupation is righteous is frequently brought up. The stark echoes of colonisation and its harmful impact on environment including the indigenous people can't be ignored.Stellan Skarsgård's Baron is limited in Part 1 but his quiet menace resonances like the thumpers used to attract the worms. The pain in a box scene between Reverend Mother and Paul is beautifully played with an understated brutality. The director thankfully avoids the inner talk that frustrated the audience when watching Lynch's version, a classic example of a tool that worked effectively on page but appeared pretentious and irritating on screen.The cinematography is grand without being overwhelming, Zimmer's score adds to the pallet when required but there is a grain of something lacking in all its admired efficiency. Dune is Villeneuve's work of devotion; this will only further cement his reputation but he has a difficult task ahead. The first film covers two thirds of the book and I've always felt the third act was a letdown. I'm not sure how he can top Part 1 if he remains loyal to the book. Cinematically, Villeneuve has proven he flourishes in the most ardious of landscapes, he can find ample water where there is none. I eagerly anticipate to be proven wrong.
D**.
Game of Thrones in Space
Against my expectations I very much liked this movie. Even my wife was intrigued - for most of it; she found the start en little puzzling like most would, and disliked the abrupt ending, like most would. I should have warned her.Nevertheless I found it an immersive joy to watch - something I haven’t experienced for some time.I should say that I’ve never seen the 1980’s Dune. Also I am a complete Star Wars junkie, a universe that I love for many reasons if not its space-opera straightforwardness. There are touch points but this new Dune movie is darker, more Game of Thrones-style but with a more sophisticated narrative.The casting was quite strong with many well-known stars in credible roles. The costumes and settings mesmerizing, the CGI spectacular.Some classic movies, with strong visuals and sound I like to own in 4K/ultra-HD, I’m glad I paid up for that with this movie. The perfect ultra sharp picture, the desert vista’s and sound effects make it worth it. And for less than two cinema tickets I could enjoy the movie in possibly better quality than in the theatre, and at a future date again, while not being annoyed with popcorn-munching cinema-potatoes next to me.Can’t wait until the next instalment and would be surprised if there will not be an HBO spin-off series.
J**S
Mind the quality and feel the width
Visually stunning and a superb soundtrack. Great sets. Well set out scenes, well paced, with the gears seamlessly coping with the dynamic changes. Enough dialogue to signpost the story in hand with the sketched characterisations. I trust the more times I watch this movie, the more I'll see. This feels like the classic 'set up' movie for what's to come, while being an intriguing journey in its own right. Yes, there are things in Lynch's film that are truly unforgettable, but its clear here that the complex story narrative is being afforded sufficient time in which to unfold, and so we are in good hands. Also, having just seen Dune 2 (which was epic), I'm even more aware of just how much foreshadowing was already embedded. A classic, as is part 2.
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3 days ago
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