



Hamlet ( Folger Library Shakespeare) [Shakespeare, William, Mowat, Dr. Barbara A., Werstine Ph.D., Paul] on desertcart.com. *FREE* shipping on qualifying offers. Hamlet ( Folger Library Shakespeare) Review: Excellent resource about the play - This book provides great background and context for the iconic play, and explains many nuances of the text and the play. The book includes the text of the play along with lots of commentary and explanations, side by side in an easily readable format. I bought the book because I was going to a production of the play by the Oakland Theater Project, in San Rafael, California in September 2025. I had studied this play decades ago in a college English class, but there was a lot I missed the first time through, and I learned a lot from the book which made purchasing it well worthwhile. There are several very good essays in the book about topics such as Shakespeare's language, Shakespeare's life, and a modern perspective on the play, which were well worth reading. Total cost with tax was less than $9, very reasonable. Review: Danish existential angst... - ... which is best summarized in the pithy formulation that is a principal "takeaway" from this classic Shakespearean play: "To be or not to be, that is the question." Indeed, it is a gloomy play, with more than one character wondering if life is really worth it. The play commences with a ghost, who is Hamlet's father, who has returned to haunt the living, since he was murdered - by his brother, who is now the King. Furthermore, the reader learns early on, the wife of the now dead King quickly marries the new King; no "decent interval" required. And yes, she is the mother of Hamlet. That's the setup; Cliff Notes, as it has for generations of students, can walk you through the rest of the plot. I'll only add that not many of the principals are left standing at the end. And like those aforementioned generations of students, I was once one myself, though now I am "way past school." And like the vast majority of students, those Shakespearean school reading assignments rather perversely instilled a desire never to read Shakespeare again. At a very real level, one is just too young in high school to "get it." And the "stilted" language of the English of the Middle Ages only makes it harder. Perhaps the only way to instill a desire to read him in school would be to forbid it. I've been re-reading a number of works that I had to read in school, to see how the work and my perception of it have aged. "Hamlet" is a re-read. Now I've been able to observe, over several decades, the "craziness" that seems to come to people with power, as well as those who desire it. I now have known those who have died, and might call out for vengeance from beyond the grave. And I have observed the angst and indecisiveness in others, as so well depicted in the character of Hamlet. Ophelia, the young woman who Hamlet may have loved, has become a symbol for troubled young women, and she has lent her name to the title to a book or two. And there were some very famous women who followed her path, such as Virginia Woolf. I also know a few very real Danes, but they are far from angst-ridden. The most famous soliloquy, "To Be...," I mentioned earlier. It has been decades since I thought of that famous contemplation of death: "Alas, poor Yorick!- I knew him well..." Also, for decades, I've made references to getting something done "before we shake off this mortal coil" thinking it was probably somewhere in the Bible - but it turns out it was from Hamlet. And I thought Ben Franklin had said: "Neither a borrower or a lender be," so I was surprised to also find it in Hamlet. And then there were those I hadn't remembered or attributed, correctly or not, such as: "What is a man, If his chief good and market of his time Be but to sleep and feed? A beast, no more..." Overall, the re-read was a great experience. And it is now so easy to download the plays, one at a time, for under a buck, unto the Kindle. I've set myself a goal of trying to read one a month, starting with the re-reads of the major tragedies, and then on to some of the comedies and histories which I had not read before. For Hamlet, 5-stars.
| ASIN | 074347712X |
| Best Sellers Rank | #11,611 in Books ( See Top 100 in Books ) #5 in British & Irish Dramas & Plays #5 in Shakespeare Dramas & Plays #47 in Classic Literature & Fiction |
| Customer Reviews | 4.5 4.5 out of 5 stars (12,122) |
| Dimensions | 4.19 x 1 x 6.75 inches |
| Edition | 5th |
| ISBN-10 | 9780743477123 |
| ISBN-13 | 978-0743477123 |
| Item Weight | 7.4 ounces |
| Language | English |
| Print length | 342 pages |
| Publication date | July 1, 1992 |
| Publisher | Simon & Schuster |
| Reading age | 12 - 17 years |
L**.
Excellent resource about the play
This book provides great background and context for the iconic play, and explains many nuances of the text and the play. The book includes the text of the play along with lots of commentary and explanations, side by side in an easily readable format. I bought the book because I was going to a production of the play by the Oakland Theater Project, in San Rafael, California in September 2025. I had studied this play decades ago in a college English class, but there was a lot I missed the first time through, and I learned a lot from the book which made purchasing it well worthwhile. There are several very good essays in the book about topics such as Shakespeare's language, Shakespeare's life, and a modern perspective on the play, which were well worth reading. Total cost with tax was less than $9, very reasonable.
J**I
Danish existential angst...
... which is best summarized in the pithy formulation that is a principal "takeaway" from this classic Shakespearean play: "To be or not to be, that is the question." Indeed, it is a gloomy play, with more than one character wondering if life is really worth it. The play commences with a ghost, who is Hamlet's father, who has returned to haunt the living, since he was murdered - by his brother, who is now the King. Furthermore, the reader learns early on, the wife of the now dead King quickly marries the new King; no "decent interval" required. And yes, she is the mother of Hamlet. That's the setup; Cliff Notes, as it has for generations of students, can walk you through the rest of the plot. I'll only add that not many of the principals are left standing at the end. And like those aforementioned generations of students, I was once one myself, though now I am "way past school." And like the vast majority of students, those Shakespearean school reading assignments rather perversely instilled a desire never to read Shakespeare again. At a very real level, one is just too young in high school to "get it." And the "stilted" language of the English of the Middle Ages only makes it harder. Perhaps the only way to instill a desire to read him in school would be to forbid it. I've been re-reading a number of works that I had to read in school, to see how the work and my perception of it have aged. "Hamlet" is a re-read. Now I've been able to observe, over several decades, the "craziness" that seems to come to people with power, as well as those who desire it. I now have known those who have died, and might call out for vengeance from beyond the grave. And I have observed the angst and indecisiveness in others, as so well depicted in the character of Hamlet. Ophelia, the young woman who Hamlet may have loved, has become a symbol for troubled young women, and she has lent her name to the title to a book or two. And there were some very famous women who followed her path, such as Virginia Woolf. I also know a few very real Danes, but they are far from angst-ridden. The most famous soliloquy, "To Be...," I mentioned earlier. It has been decades since I thought of that famous contemplation of death: "Alas, poor Yorick!- I knew him well..." Also, for decades, I've made references to getting something done "before we shake off this mortal coil" thinking it was probably somewhere in the Bible - but it turns out it was from Hamlet. And I thought Ben Franklin had said: "Neither a borrower or a lender be," so I was surprised to also find it in Hamlet. And then there were those I hadn't remembered or attributed, correctly or not, such as: "What is a man, If his chief good and market of his time Be but to sleep and feed? A beast, no more..." Overall, the re-read was a great experience. And it is now so easy to download the plays, one at a time, for under a buck, unto the Kindle. I've set myself a goal of trying to read one a month, starting with the re-reads of the major tragedies, and then on to some of the comedies and histories which I had not read before. For Hamlet, 5-stars.
R**I
Hamlet book - very very nice.
I bought this small hardcover Hamlet book for myself and ten others. I’m currently on Act III Scene III… what an amazing story! My friends and family love the book too. I’m always asking myself who else can I gift this to!!! But I guess 11 people is enough.
J**E
Still a money-maker
The play "Hamlet" is of course a classic, and Shakespeare wrote it. I teach "Hamlet", so let me just say that this is one of Shakespeare's best for a multitude of reasons. This review isn't really about the play itself though. It is more about the Kindle version of the play. There are a couple of things I really like: (1) It is easy to navigate and go exactly to the Act and Scene I want to see. (2) I love that I can click on a word and see its definition; but more than that, I can click again and see the origin of the word! That is so helpful in understanding Shakespeare, and I enjoy seeing where words came from. What I don't like is that the play actually cost money. "Hamlet" has been out of copyright for a very long time, precisely because it is a classic, yet there wasn't one free version of "Hamlet" available for Kindle. Why not? If I am going to pay for something that should be free, I expect to see extras: footnotes, essays about the play, indepth commentaries, etc. This Kindle version was just the play itself. If I had had to pay more money for it, I would have rated it with a few less stars. At least the price wasn't too bad (though it should be free).
T**Y
Back in the late 60's, I saw a movie version of Hamlet at the Odeon theatre in my hometown. I looked up Hamlet productions on the IMDB and find that it was likely the 1989 movie with Nicol Williamson as Hamlet. I had taken five Shakespeare plays in high school but not Hamlet. I was unfamiliar with the play beyond the usual quotations from it. I didn't understand a word of it. Looking at the commentary on the Internet, I find that I was not alone in this. William spoke in a thick brogue and very quickly. At the time, I put up my lack of understanding as a lack of capability on my part. Hamlet was for other people who had a more subtle intelligence than mine. Imagine my surprise then when I saw Kenneth Branagh’s four-hour movie version of the uncut play. This was fast moving, exciting, insightful and powerful drama interspersed with some very funny comedy. Hamlet was completely accessible even to someone like me. Perhaps, it wasn’t me who was lacking subtlety but the previous versions of the play that I had seen with their cuts and impenetrable dialog were the things that were lacking subtlety. These were productions of a meta-Hamlet. People could be familiar with the play and recognize parts of it in the production and appreciate the play and the production in that way. Given my experience with Branagh’s version, I looked forward to reading the play as part of my project to read all the literature that I was assigned to read in school but didn’t. I’ve read my five high school plays and have moved on to attempt to read as many of the plays as possible. I found the Folger editions of the plays and with their side-by-side notes. I’ve found that I can read these plays with what I think is some degree of understanding. Each Folger edition has a brief essay on the play from a modern perspective. The Hamlet essay pointed out that the interpretation of the play has changed markedly over the centuries. Earlier critics looked at the personality of Hamlet and found him to be someone who was not capable of dealing with the issues that he faced. The author of the Folger essay points out that modern critics look more to the society in which the action takes place. They see an analog of the modern surveillance state in the actions of the characters to constantly spy on each other’s actions. The Danish court in Hamlet is one in which there is no common purpose. Characters vie with character for advantage. Each is out for his own benefit and are indifferent to the consequences of their ambition on others. Claudius murders the king and conspires to kill Hamlet multiple times. Hamlet is indifferent to the deaths of Rosencrantz and Guildenstern and the pain to which he put Ophelia. Hamlet is a revenge play, but it is a revenge play in which those seeking revenge are as lacking as their enemies. The Folger edition says that the play can carry many readings and that is the reading that it carries for me. I have seen this in some other Shakespeare Plays. The Henry IV plays argue against the ambitions that cause the death and famine of internecine wars. Hamlet carries a play within a play that mimics the Danish court. However, for me, the Danish court is also a play that carries on in its own action indifferent to the factors of the real world. The players conspire against each other while in the real world the army of Fortinbras approaches to destroy the artificial world that they create among themselves. In this, I see the essential weakness of the surveillance state. We are faced with this same issue today as Shakespeare pointed out in his own time. Self-interest and suspicion breed only pain, hinger and death. The society they enable is unstable. It has no centre and cannot hold.
R**S
A book you need if you study a certain topic...
R**C
Más que una tragedia, es un laboratorio de la conciencia humana. Shakespeare desmonta aquí, con una elegancia feroz, las capas del pensamiento: duda, memoria, deseo, miedo, lucidez súbita y desmoronamiento inevitable. Cada monólogo palpita como si hubiera sido escrito esta mañana; cada silencio pesa más que cualquier gesto heroico. Lo sorprendente no es que Hamlet sea un clásico, sino que siga siendo un misterio. La obra rehúye la interpretación definitiva, y en esa resistencia reside su grandeza. El lenguaje —a ratos afilado, a ratos casi hipnótico— captura esa región imprecisa donde la razón se quiebra y la tragedia deja de ser un formato para convertirse en una experiencia. En un tiempo saturado de narrativas que explican demasiado, Hamlet continúa recordándonos que la literatura más poderosa no aclara: profundiza. Es una obra inagotable, vigente por la simple razón de que seguimos luchando con las mismas sombras que persiguen a su príncipe.
F**N
Livre intéressant avec un format pratique.
D**A
Good
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